She can't stand it when he gallantly offers to trade hotel rooms with her so that she can have a view of the Tyrrhenian Sea, she can't stand that he knows more about Casa Malaparte than she does, and she really can't stand it when he kisses her in the darkness of the ancient ruins of a Roman villa. The daughter of an American-born Chinese mother and a blue-blooded New York father, Lucie has always sublimated the Asian side of herself, and she adamantly denies having feelings for George. Moving between summer playgrounds of privilege, peppered with decadent food and extravagant fashion, Sex and Vanity is a truly modern love story, a daring homage to A Room with a View , and a brilliantly funny comedy of manners set between two cultures. The novel reads like travel porn, listing the island's best and lesser-known sights, places to eat, stay and drink. And then there is the story of Lucie Tang Churchill, a biracial New York princess from the Upper East Side, attending an eye-wateringly extravagant wedding.
Kevin Kwan's new book is his most decadent yet
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The wedding of the summer is still on — and you'd have to be crazy rich not to squeal in vicarious wonder at its opulence. Custom-made Givenchy gowns. White truffle and caviar pizza. Millions of rose petals turned into a decadent carpet at a secluded villa. But Kwan again delivers a set of ridiculously rich characters who are mostly Asian or Asian American.
How do you follow up one of the most successful trilogies of the 21st century? His new novel, Sex and Vanity , plays like a straight tribute to the E. Forster novel—but in this version, the story moves between Capri and New York, tackling the nuances of Asian-American identity in the process. In his first extensive interview about the book, he spoke about all that and more with EW.